Snow-clad Nanga Parbat mirrored in a still pool at Fairy Meadows, northern Pakistan

Landscape Painter · Photographer

Ibraheem Eurish

Oil landscapes and photographs gathered from the mountains and high valleys of northern Pakistan — light, altitude, and the long road north.

I paint the north. The Karakoram and the Himalaya, the glacial blues of Attabad and Naltar, the gold of poplars turning in Hunza. Trained in the studios of the National College of Arts in Lahore — a school older than the country itself — I work in oil, chasing the particular light that falls between these peaks, and carry a camera for everything the brush cannot keep.

Selected Works

Paintings

Oil on canvas. Landscapes drawn from journeys through the mountains of Pakistan — and from the memory of light at altitude.

Towering snow peaks above a still mountain lake at dusk
Sentinels of the KarakoramOil on canvas
A snow peak rising over an emerald alpine lake ringed by pines
Emerald Tarn, First LightOil on canvas
Golden evening light filling a broad mountain valley
Valley of GoldOil on canvas
Waterfalls and snow peaks above a calm lake with deer at the shore
Where the Glaciers MeltOil on canvas
Deep canyon walls glowing under a rainbow and drifting cloud
Canyon of the IndusOil on canvas
A double rainbow arcing over misted tropical foothills
Monsoon over the FoothillsOil on canvas

Interested in a commission or an available canvas? Get in touch.

The turquoise Hunza river winding through the Karakoram

“There is a colour the mountains keep only for an hour after sunrise. I have spent years trying to mix it.”

— Ibraheem Eurish

From the Road

Photography — Northern Pakistan

A travelling painter’s field notes. Frames carried home from Gilgit-Baltistan: glacier and lake, valley and pass.

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About

A painter from Lahore, drawn to the mountains

Ibraheem Eurish trained at the National College of Arts, Lahore — founded in 1875, more than seventy years before Pakistan itself, and still the country’s most storied school of art. It was there he learned to see in oil.

Since then the work has followed the road north. Each summer becomes an expedition into Gilgit-Baltistan and the high Karakoram — to Hunza and Skardu, to the glaciers and the quiet alpine lakes — returning with canvases, and with photographs of everything that could not be painted on the spot.

The paintings are landscapes, mostly: studies of distance, weather and the brief, astonishing light of the great ranges.

  • EducationNational College of Arts, Lahore
  • MediaOil on canvas · 35 mm & digital photography
  • Based inLahore, Pakistan

Contact

Commissions, exhibitions & prints

For available paintings, commission enquiries, exhibition history, or fine-art prints of the photography, please get in touch.